BRITTANY, Britanny, or Britany, in French, Bretagne, an ancient province and duchy of France, consisting of the great north-western peninsula of the country, and corresponding very nearly to the present departments of Finistère, Côtes-du-Nord, Morbihan, Ille et Vilaine, and Lower Loire. It is popularly divided into Upper or Western, and Lower or Eastern Brittany. While it is not a mountainous country, none of the elevations much exceeding 1200 feet, it is remarkable for the extreme ruggedness of its physical features, especially along the coast and towards its seaward extremity. There are vast tracts of desolate moorland broken only by the melancholy monuments of a forgotten time, and gloomy water-courses worn deep into the stony strata. Elsewhere, however, beautiful valleys and romantic glens are traversed by fullflowing rivers. Agriculture is in general in a rather backward condition, though here and there there are signs of enterprise. Flax and hemp are largely grown; and in the more fertile districts excellent crops of the cereals are obtained. Bees are almost universally kept, and are often objects of a kind of affection. Pasture is abundant throughout the country, and the dairy produce forms a very important item in the food of the people. Industrial pursuits, except in a few seaport towns, which are rather French than Breton, have hitherto received but little attention. The Bretons are by nature conservative. They cling with almost equal attachment to their local customs and their religious superstitions. It was not till the 17th century that paganism was even nominally abolished in some parts, and there is probably no district in Europe where the popular Christianity has assimilated more from earlier creeds. Witchcraft and the influence of fairies are ...generally believed in, and charms and antidotes are trustfully resorted to. Part of this superstitious tendency may, no doubt, be attributed to the influence exerted on the minds of the people, not only by the strangeness of their natural environment, but also by the frequency of megalithic monuments, whose origin they cannot explain, for nowhere are these monuments so numerous and varied. The costume of both sexes is very peculiar both in cut and colour, but varies considerably in different districts. Bright red, violet, and blue are much used, not only by the women, but in the coats and waistcoats of the men. The reader will find full illustrations of the different styles in Bcuet’s Βreiz-izel ou Vie des Bretons de l , Armorique, 3 vols., 1844. The Celtic language is still generally spoken, especially in lower Brittany, and a considerable body of traditional story and song is current among the people. Four dialects are pretty clearly marked. The whole duchy was formerly divided into nine bishoprics,—Rennes, Dol, Nantes, St Malo, and St Brieuc, in Upper Brittany; and Tréguier, Vannes, Quimper, and St Pol de Léon in Lower; and several of the larger towns were the seats of separate counts.
At the time of Caesar’s conquest of Gaul the north-western peninsula was inhabited by the Celtic tribes of the Veneti, the Curiosolitae, and the 0sismii; but our information in regard to them is of the scantiest description. On the condition of this distinct, indeed, history is almost silent till the 5th century, when the invasion of Britain by the Saxons was followed by the migration across the channel of large numbers of the defeated islanders. The Breton chronicles contain an account of about a score of dukes from that period to the end of the 8th century; but how far the names and the narrative are merely mythical it would be hard to determine. The one great fact that is clearly evident is, that a violent contest for independence was maintained against the Frankish inroads. Under the early Carlovingians the country was for a time in rather more than nominal subjection; but it soon reasserted its duchy on his brother Geoffrey. Geoffrey’s death two years after left the way open to the enterprise of Conan IV., grandson of Conan III., who had made his step-father prisoner, and was gradually obtaining possession of the whole duchy. The new duke, however, was forced not only to give his daughter Constance to Henry’s son Geoffrey, but also in tile long run to abdicate in his favour. On Geoffrey’s death in 1186 the duchy became an object of dispute between the English and French kings, the latter being supported by the native nobility. To this rivalry the young duke Arthur fell a victim, murdered, as is usually supposed, by his uncle John of England. His sister Alice succeeded, under the protection of France, and was married to Pierre de Dreux, who thus became the first of a new line of dukes which lasted till the death of Francis II. in 1488. In 1491 the heiress Anne was forced to marry Charles VIII., and thus the duchy was held by the French crown. In 1532 it was formally united to France, but it retained a separate parliament till the Revolution.
Among the historians of Brittany may be mentioned Dorn Lobineau, Dom Taillandier, Dom Morice, Dara, and De Courson. See also Trollope’s Summer in Brittany, 1840; Mrs Bury Palliser, Brittany and its Byeways, 1869; Du Chatellier, L'Agriculture et les classes agricoles de la Bretagne, 1862.
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BRITTON, John, a topographical and antiquarian writer, was born at Kingston-St-Michael, near Chippenham, July 7, 1771. His birthplace, an old-world village of the dullest and sleepiest kind, had also the distinction of being the home of the antiquary John Aubrey. His parents were in humble circumstances, and he was left an orphan at an early age. He grew up with no better education than was to be had in the poor schools of his native Wiltshire village and neighbouring places, the last to which he was sent being at Chippenham. At the age of fourteen he became possessed of a small lot of books, and among them were Robinson Crusoe, the Pilgrim's Progress, and The Life of Peter, Czar of Muscovy. At sixteen he went to London, and through the influence of a relative was apprenticed to a wine merchant. Prevented by failing health from serving his full six years, he found himself adrift in the world, without money, without friends, and without education. In his hand-to-hand fight with poverty he was put to strange shifts, becoming cellarman at a tavern and clerk to a lawyer, reciting and singing at a small theatre, and compiling a collection of common songs. During his apprenticeship he had read much in a loose, aimless manner; and gradually by successive small ventures he found his way into the broad paths of literature. A Salisbury publisher having projected a work on Wiltshire, invited Britton to undertake its preparation. The proposal was accepted; and in conjunction with his friend Edward Wedlake Brayley, Britton set himself to the task. Such was the small beginning of the voluminous work entitled The Beq,uties of England and Wales. The Beauties of Wiltshire appeared in two volumes in 1801, a third volume being added in 1825. The authors proceeded with other counties, and ...nine volumes of the entire series were their work. In the course of these early labours Britton’s attention was especially drawn to antiquarian subjects; and thenceforth his proper field was before him, and in it he worked honourably. In 1805 appeared the first portion of his Architectural Antiquities of Great Britain, which extended to five volumes quarto, and was nine years in publication. On its completion Britton commenced his great work on the Cathedral Antiquities of England, the section on Salisbury Cathedral being the first published. It was completed in 1835, having been more than twenty years in progress, and forming altogether fourteen folio volumes. It is profusely illustrated by copperplate engravings.
As sole or joint author or editor Britton’s name is attached to a large number of works of a like character. Among these may be mentioned the Historical Account of Redcliffe Church, Bristol (1813); Illustrations of FonthillAbbey (1823); Architectural Antiquities of Normandy, with illustrations by Pugin, published in 1825-1827; Picturesque Antiquities of English Cities (1830); and the splendid History of the Palace and Houses of Parliament at Westminster, the joint work of Britton and Brayley, published in 1834-36. Mr Britton was a frequent contributor to the Gentleman's Magazine and other periodicals; he wrote the article “Shakespeare” for Rees’s Cyclopaedia, and the articles “Stonehenge,” “Avebury,” and “Tumulus” for the Penny Cyclopaedia. In his later years he began to write his Autobiography, but did not carry the personal narrative far. The portion published is rich in literary anecdote of the times. Britton died in London, Januaryl,ιl857, and his remains were inteιτed in Norwood Cemetery. A Descriptive Account of his Literary Works was published by his assistant T. E. Jones. Britton was the originator of a hew class of literary works. “Before his time,” says Mr Digby Wyatt, “popular topography was unknown.” He first combined antiquarian with topographical description. He effected a great improvement in the style and character of the illustrations of ancient monuments; and the general admiration excited by the engravings in his works gave rise to a novel interest in his subject, and became one of the incitements to deeper studies and investigations.
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