COLET, John (1466-1519) dean of St Paul’s, the eldest son of Sir Henry Colet, was born at London in 1466. His education commenced in St Anthony’s school in that city, from which, in 1483, he was sent to Magdalen College, Oxford. After seven years’ study of logic and philosophy, he took his degree in arts. About the year 1493 he went to Paris, and thence to Italy, in order to improve himself in the Greek and Latin languages, which at that time were imperfectly taught in our universities. During his residence abroad he became acquainted with Budaeus and Erasmus. On his return to England in 1497 he took orders, and settled at Oxford, where he read lectures, without fee, on the Epistles of St Paul. At this period he held the rectory of St Dennington in Suffolk, to which he had been instituted at the early age of nineteen; and he was also prebendary of York, and canon of St Martin’s le Grand, London. In 1502 he became prebendary of Sarum, in 1505 prebendary of St Paul’s, and immediately afterwards dean of that cathedral, having previously taken the degree of doctor of divinity. He was no sooner raised to this dignity than he introduced the practice of preaching and expounding the Scriptures; and he soon afterwards established a perpetual divinity lecture, on three days in each week, in St Paul’s Church,—an institution which helped to pave the way for the Reformation. About the year 1508 Dean Colet formed his plan for the foundation of St Paul’s school, which he completed in 1512, and endowed with estates of an annual value of £122 and upwards. The celebrated grammarian William Lilly was the first master, and the company of mercers were appointed trustees. The dean’s religious opinions were so much more liberal than those of the contemporary clergy, that ...they deemed him little better than a heretic; and on this account he was so frequently molested that he at last determined to spend the rest of his days in peaceful retirement. To carry this resolution into-effect he built a house near the palace of Richmond; but being seized with the sweating sickness, he died in 1519, in the fifty-third year of his age. Pie was buried on the south side of the choir of St Paul’s, where a stone was laid over his grave, with no other inscription than his name. Besides the preferments above mentioned, he was rector of the guild of Jesus at St Paul’s, and chaplain to Henry VIII. Dean Colet, though in communion with the Church of Rome, disapproved of auricular confession, of the celibacy of priests, and other tenets and ceremonies which have since been rejected by all Protestants. He vrote— Absolutissimus de octo orationis partium constructione Libellus (Antwerp, 1530), Rudimenta Grammatices (London, 1539), Daily Devotions, Monition to a Godly Life, Epistolae ad Erasmum, and commentaries on different parts of the sacred books, together with a number of smaller theological works.
COLET, LouiseRevoie (1808-1876), French poetess and novelist, belonged to a Provençal family, and was born at Aix. In 1834 she came to Paris; and in 1836 appeared her Fleurs du Midi, a volume of verse, of liberal tendency, which made some noise, and gained her the friendship of Teste and Cousin. It w as followed in 1839 by Penserosa, a second volume of verse; by Le Musée de Versailles, a poem crowned by the Institute; by La Jeunesse de Goethe. a one-act comedy; and by Les Coeτιrs Brises, a novel. In 1840 she published Les Funérailles de Napoleon, a poem, and La Jeunesse de Mirabeau, a reckless novel. Ιhe criticisms on her books, however, on her academical successes, and on her connection with several celebrated men about this time, exasperated her to an incredible degree; aud in 1841 Paris was diverted by her attempted reprisals on Alphonse Karr for certain notices in Les Guêpes. In 1849 she had to defend an action brought against her by the heirs of Madame Récamier, whose correspondence with Benjamin Constant she had taken it upon herself to publish iu the columns of the Presse. She was crowned five or six times by the Institute, a distinction which she owed, however, to the influence of Cousin rather than to the quality of her work. She produced a host of writings in prose and verse—novels, plays, anacreontics, didactic poems, travels, copy for a milliner’s journal, translations from Shakespeare—singularly unequal in matter and style. Only one of her books has survived— Lui: Roman Contemporain, the novel in which she told the story of her life; and that, wshatever value it may possess as an historical document, is worthless as a work of art. Madame Colet seems to have been a woman of some literary talent, wanting altogether in the quality of self-respect and the power of self-control.
[507 words — estimated reading time: 3 minutes]
