CRUZ, Juan de la (1542-1591, a Spanish mystic, whose family name was Yepes, was born at Ontiveros, in Old Castile. He took the vows at twenty-one, and soon became the faithful and ardent follower of Santa Teresa in her plans for the reform of the Carmelite order, to which he belonged. His zeal drew upon him the wrath of his brethren, through whose influence he was imprisoned for nine months. His release was procured by Santa Teresa, under whom he worked with fervent devotion for many years; but in 1591, having ventured to oppose his superiors, he was sent to a monastery in the Sierra Morena. His health, however, gave way, and he was allowed to change his residence to the monastery of Ubeda, where he died in 1591. In 1675 he was beatified, and in 1726 he was canonized. The poems and prose works of San Juan de la Cruz, which are chiefly devotional and never secular, though rhapsodical and mystical and often obscure, are distinguished by much passionate eloquence and beauty of diction.
Since 1619, the date of the first edition, they have been frequently reprinted. They have been several times translated into French, and a Latin version appeared at Cologne in 1639. A complete edition forms volume xvii. of the Biblioteca de Autores Españoles, where is also contained an interesting treatment of his character; and his poems are published in Deppi ng’s Flor esta de Rimas Castellanas, and in an edition by Storck (Munster, 1854), who has also published a German version. See, besides, the highly laudatory and popular life published in 1625, and the lives by Joseph de Jesu-Maria and by Sainte-Alexis....
CRUZ, Ramon de la, Spanish dramatist, was born at Madrid in 1731. Nothing is known of his life, save that he was an employé in the ministry of finance, that he was a member of the Academy of Seville and of the Roman “Arcadians,” and that between 1786 and 1791 he published some ten volumes of plays. Among his 300 pieces he is remembered only by his sainetes, little farcical sketches of city life, written to be played between the acts of a greater play, or as afterpieces.
Specimens are to be found in Ochoa, Tesoro del Teatro Español, vol. V.; and seventeen of the best of them have been translated into French, and published, with an introduction, by Antoine de Latour, in his Sainetes de Ramon de la Cruz, Paris, 1865. A complete edition, comprising upwards of 110, was issued by Don Agostino Duran in 1848. See Ticknor’s Spanish Literature, iii. 249-251.
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