HAUCH, Johannes Carsten (1790-1872), Danish poet·, was born of Danish parents residing at Frederikshald in Norway, on the 12th of May 1790. In 1802 he lost his mother, and in 1803 returned with his father to Denmark. In 1807 he fought as a volunteer against the English invasion. He entered the university of Copenhagen in 1808, and in 1821 took his doctor’s degree. He became the friend and associate of Steffens and Oehlenschläger, warmly adopting the new views about poetry and philosophy. His first dramas, The Journey to Ginistan and The Power of Fancy, appeared in 1816 and 1817, and were followed by Flosaura; but these works attracted little or no attention. Hauch therefore gave up all hope of fame as a poet, and resigned himself entirely to the study of science, to pursue which he went abroad. At Nice he had an accident which obliged him to submit to the amputation of one foot. He returned to dramatic production, and published The Hamadryad, Bajazet, Tiberius, Gregory VII., The Death of Charles V. (1831), and The Siege of Maestricht (1832). These plays were violently attacked by the best critical organs, and enjoyed no success. Hauch then turned to novel-writing, and published in succession four romances — Vilhelm Zaberη, 1834; Guldmageren, 1836; A Polish Family, 1829; and The Castle on the Rhine, 1845. In 1842 he collected his shorter Poems. In 1846 he was appointed professor of the Scandinavian languages in Kiel, but returned to Copenhagen when the war broke out in 1848. About this time his dramatic talent was at its height, and he produced one admirable tragedy after another; among these may be mentioned Svend Grathe, 1841; The Sisters at Kinnehullem, 1849; Marsh Stig, 1850; Honour Lost and Won, 1851; and Tycho Brahe's Youth, 1852. From 1858 to 1860 Hauch was ...director of the Danish National Theatre; he produced three more tragedies— The King's Favourite, 1859; Henry of Navarre, 1863; and Julian the Apostate, 1868. In 1861 he published another collection of Poems, and in 1862 the historical epic of Valdemar Atterdag. From 1851, when he succeeded Oehlenschläger, to his death, he held the honorary post of professor of aesthetics at the university of Copenhagen. He died in Rome in 1872. Hauch was one of the most prolific of the Danish poets, and his writings are unequal in value. His lyrics and romances in verse are always fine in form and often strongly imaginative. In all his writings, but especially in his tragedies, he displays a strong bias in favour of what is mystical and supernatural. Of his dramas Marsh Stig is perhaps the best, and of his novels Vilhelm Zaberη is admired the most.
[452 words — estimated reading time: 3 minutes]
