HAWES, Stephen, a minor English poet of the 16th century. Neither the date of his birth nor that of his death has been ascertained, and all the known facts of his life may be stated in a few lines. He was probably a member of a Suffolkshire family, studied at Oxford, with what success we can only conjecture, travelled in England, Scotland, and France, and having acquired the reputation of a man of culture was appointed groom of the chamber to King Henry VII. He was still alive in January 1520-21, as appears by an entry, Item to Mr Hawse for his play vj li. xiii s. iiij d. Of the play thus mentioned nothing further is known. The writer’s chief work was The Historie of Graunde Amour and la Bell Pucell, called the Pastime of Pleasure, conteyning the Knowledge of the Seven Sciences and the Course of Man’s Life, a long allegorical poem in the style of Lydgate. Its general method may be guessed from such a heading as How Science first sent him to Gramer where he was receyved by Dame Coηgruitie and, though it must be confessed that portions of the poem are better both in matter and in workmanship than might be expected, it is now of interest almost exclusively because, in Warton’s words, it is “almost the only effort of imagination and invention which had appeared in our poetry since Chaucer.” Probably written about 1506, and first printed, it is said, hy Wynkyn de Worde, it afterwards went through several editions (J. Wayland, 1554; Richard Tottel, 1555; J. Waley, 1559); a reprint of Tottel’s was made for the Percy Society in 1842. Among the minor poems attributed to Hawes it is sufficient to mention his Conversyon of Swerers and his Joyful Medytacyon to all Englonde of Kyηge Henry the Eight. The former, a dry didactic production, was printed by Wynkyn de Worde ...(1509 1) and William Copland (1551). Of the latter the only copy preserved is among Bishop More’s books in the public library of the university of Cambridge. Both were edited for the Abbotsford Club by David Laing (1854). For further details see Hazlitt’s edition of Warton’s History of English Poetry (1874), and the Percy and Abbotsford reprints.
HAWES, William (1785-1846), an English musician of some merit, is remembered chiefly by the fact that through his instrumentality Weber’s Der Freischütz was for the first time performed in England. This event took place July 24, 1824, and led eventually to Weber’s removal to London. Hawes was born in London in 1785, and was for eight years (1793-1801) a chorister of the Chapel Royal, where he studied music chiefly under Dr Ayrton. He subsequently held various musical posts, being in 1817 appointed master of the children of the Chapel Royal. He also, in conjunction with Welsh, carried on the business of a music publisher, and was for many years musical director of the Lyceum Theatre, then devoted to English opera. It was in the last-named capacity that he introduced Weber’s masterpiece, at first slightly curtailed, but soon afterwards in its entirety. Winter’s Interrupted Sacrifice, Mozart’s Cosi fan Tutte, Marschner’s Vampyre, and other important works were also brought out under his auspices. Hawes also wrote or compiled the music for numerous pieces, none of which however has survived or deserves mention. Better were his glees and madrigals, of which he published several collections. He also superintended a new edition of the celebrated Triumph of Oriana. Hawes died February 18, 1846.
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