HAWKINS, Sir John (c. 1532-1595), was born in Plymouth about 1532, and was bred a sailor. Learning that negroes from the coast of Guinea were good merchandize for traffic in the West Indies, he made trial of this in three voyages, the first in 1562, the second in 1564. Ths third, made in company with young Drake in 1567, ended in disaster, the story of which is related by Hawkins himself. He was returned M.P. for Plymouth in 1572; and the next year he was made treasurer and comptroller of the navy. In the expedition against the Armada he was appointed vice-admiral, hoisting his flag on board the “Victory,” and for his services on that occasion he was afterwards knighted. His last expedition (1595) was undertaken, once more with Drake, mainly with a view to rescue his son Richard, who three years before had fallen into the hands of the Spaniards off the coast of Quito. It was unsuccessful; and, worn out with fatigue and brokenhearted, he died off Puerto Rico on the 12th of November 1595. Hawkins was the first to use chain pumps and fighting nettings for ships. Stow speaks of him as a very wise, vigilant, and true-hearted man. Along with Sir Francis Drake, he founded in 1588 the “Chest at Chatham,” the forerunner of Greenwich Hospital, where it is now preserved. A portrait of Hawkins once adorned the Armada tapestry in the House of Lords....
HAWKINS, Sir John (1719-1789), will be permanently remembered as the author of an important work on the history of music. He was born March 30, 1719, in London, the son of an architect who destined his son for his own profession. Ultimately, however, Hawkins took to the law, devoting his leisure hours to his favourite study of music. A wealthy marriage in 1753 enabled him to indulge his passion for acquiring rare works of music, and he bought, for example, the collection formed by Dr Pepusch, and subsequently presented by Hawkins to the British Museum. It was on such materials that Hawkins founded his celebrated work on the General History of the Science and Practice of Music, in 5 vols, (republished in 2 vols., 1876). It was brought out in 1776, the same year which witnessed the appearance of the first volume of Burney’s work on the same subject. The relative merits of the two works were eagerly discussed by contemporary critics. Burney no doubt is infinitely superior as a literary man, and his work accordingly comes much nearer the idea of a systematic treatise on the subject than Hawkins’s, which is essentially a collection of rare and valuable pieces of music with a more or less continuous commentary. But by rescuing these from oblivion Hawkins has given a permanent value to his work. Of Hawkins’s literary efforts apart from music it will be sufficient to mention his occasional contributions to the Gentleman' 's Magazine, his edition of the Complete Angler, and his biography of Dr Johnson, with whom he was intimately acquainted. He was one of the original members of the Ivy Lane Club, and ultimately became one of Dr Johnson’s executors. If there were any doubt as to his intimacy with Johnson, it would be settled by the slighting way in which Boswell refers to him. Speaking of the Ivy Lane Club, he mentions amongst the members “Mr John Hawkins, an attorney,” and adds the following footnote, which at the same time may serve as a summary of the remaining facts of Hawkins’s life :—“He was for several years chairman of the Middlesex justices, and upon presenting an address to the king accepted the usual offer of knighthood (1772). He is the author of a History of Music in five volumes in quarto. By assiduous attendance upon Johnson in his last illness he obtained the office of one of his executors,—in consequence of which the booksellers of London employed him to publish an edition of Dr Johnson’s works and to write his life.” Sir John Hawkins died on the 21st of May 1789, and was buried in the cloisters of Westminster Abbey.
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