MATHEWS, Charles (1776-1835), comedian, was born in London, 28th June 1776. His father was what he called “a serious bookseller,” and also officiated as minister in one of Lady Huntingdon’s chapels. Mathews was educated at Merchant Taylors’ School. His love for the stage was formed in his boyhood, partly from admiration of Elliston, with whom he had taken part in private theatricals. According to his own statement, it ripened into an “overpowering, all-absorbing passion,” unfitting him for business when he became apprentice to his father, who at length, in 1794, unwillingly permitted him to enter on a theatrical engagement in Dublin. For several years Mathews had not only to content himself with the most thankless parts at an almost nominal salary, but his figure, at this period of life thin and ungainly, and the peculiar twist in his countenance generally awakened the unconcealed ridicule of the audience. In 1798 he obtained a conditional engagement from Tate Wilkinson at York. In 1802 Mathews began to play in London at the Haymarket, and from this time his professional career was an uninterrupted triumph. His special excellence as an actor consisted in his wonderful gift of mimicry, enabling him to grasp the minutest and most individual features of the character he represented. His sense of the purely ludicrous in all its varied phases was perhaps unequalled, and by his marvellous command of facial expression and of different tones and accents of voice he could, when he so willed, completely disguise his personality without even the smallest change of dress. The versatility and originality of his powers were, in public, best seen in his “At Homes,” begun in the Lyceum Theatre in 1818, “which,” according to Leigh Hunt, “for the richness and ...variety of his humour, were as good as half a dozen plays distilled.” But it was in the social circle that he displayed the finest and rarest traits of genius, while his simple and truly kind-hearted disposition won him an affection and esteem which mere genius could not have purchased. From his infancy the health of Mathews had been uncertain, and the toils of his profession gradually undermined it. He died at Plymouth, of heart disease, 28th June 1835. See Memoirs, by Mrs Mathews, 4 vols., 1838-39.
MATHEWS, Charles James (1803—1878), comedian, son of the above, was born at Liverpool, 26th December 1803. After attending Merchant Taylors’ School he was articled as pupil to an architect, and he continued nominally to follow this business till 1835. His first appearance on the stage was made at the Adelphi, London. In 1838 he married Madame Vestris, then lessee of the Olympic, but neither his management of this theatre, nor subsequently of Covent Garden, nor of the Lyceum, resulted in pecuniary advantage. As an actor, however, he held from the first an unrivalled place in his peculiar vein of light eccentric comedy. The inimitable easy grace of his manner, and the imperturbable solemnity with which ⅜⅛e perpetrated his absurdities, never failed to charm and amuse; his humour was never broad, but always measured and restrained. His range of characters was exceptionally narrow, and he was wholly incapable of representing any form of strong passion. It was as the leading character in such plays as the Game of Speculation, My Awful Dad, Cool as a Cucumber, Patter versus Clatter, and Little Toodlekins, that he specially excelled. Mathews was one of the few English actors who have played in French successfully—his appearance at Paris in 1863 in a French version of Cool as a Cucumber, written by himself, being received with the utmost approbation. After reaching his sixty-sixth year, Mathews set out on a tour round the world, and on his return in 1872 he continued to prosecute his professional duties without interruption till within a few weeks of his death, on July 26,1878. See Life of Charles James Mathews, edited by Charles Dickens, 2 vols., 1879.
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