WHITFIELD, John Clarke (1770-1836), organist and composer, was born at Gloucester, 13th December 1770, and educated at Oxford under Dr Philip Hayes. In 1789 he was appointed organist of the parish church at Ludlow. Four years later he took the degree of Mus. Bac. at Cambridge, and in 1795 he was chosen organist of Armagh cathedral, whence he removed in the same year to Dublin, with the appointments of organist and master of the clιildren at St Patrick’s cathedral and Christchurch. Driven from Ireland by the rebellion of 1798, he accepted the post of organist at Trinity and St John’s Colleges, Cambridge, and about the same time assumed the surname of Whitfield, in addition to that of Clarke, by which he had been previously known. He took the degree of Mus. Doc. at Cambridge in 1799, and in 1810 proceeded to the same grade at Oxford. In 1820 he was elected organist and master of the choristers at Hereford cathedral; and on the death of Dr Haig he was appointed professor of music at Cambridge. Three years afterwards he resigned these appointments in consequence of an attack of paralysis. He died at Hereford, 22d February 1836....
Whitfield’s compositions were very numerous. Among the best of them are four volumes of anthems, published in 1805. He also composed a great number of songs, one of which— Bird of the Wilderness, written to some well-known verses by James Hogg, the “Ettrick Shepherd”—attained a high degree of popularity. But the great work of his life was the publication, in a popular and eminently useful form, of the oratorios of Handel, which he was the first to present to the public with a complete pianoforte accompaniment. Before his time these works could only be obtained either in full score or with a plain-figured bass, in which forms they were absolutely useless to the unlearned musician. But so great was the success of his experiment that at the present day the form he originated is the only one with which the general public is familiar. His own volumes, indeed, have been long out of print, and are not now very easy to obtain; but every one of the great oratorios, arranged on a similar plan, may be bought at a price within the reach of the poorest student of art.
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