BRASSES, Monumental, a species of engraved sepulchral memorials which in the early part of the 13th century began to take the place of the tombs and effigies carved in stone, which formed such conspicuous features in most of the great churches. Made of hard latten or sheet brass, let into the pavement, and thus forming no obstruction in the space required for the services of the church, they speedily came into general use, and continued to be a favourite style of sepulchral memorial for three centuries. Besides their great value as historical monuments, they are specially interesting as authentic contemporary evidence of the varieties of armour and costume, or the peculiarities of palaeography and heraldic designs, and they are often the only authoritative records of the intricate details of family history. Although the intrinsic value of the metal has unfortunately contributed to the wholesale spoliation of these interesting monuments, they are still found in remarkable profusion in England, and they were at one time equally common in France, Germany, and the Low Countries. In France, however, those that survived the troubles of the 16th century were totally swept away during the reign of terror, and almost the only evidence of their existence is now supplied by the collection of drawings bequeathed by Gough to the Bodleian Library. The fine memorials of the royal house of Saxony in the cathedrals of Weissen and Freiberg are the most artistic and striking brasses in Germany. Among the 13th century examples existing in German churches the full length memorials of Yso Von Welpe, bishop of Verden (1231), and of Bernard, bishop of Paderborn (1340), may be mentioned. Many fine Flemish specimens exist in Belgium, especially at Bruges. Only two or three examples, and these of ...late date, are known in Scotland, among which are the memorials of Alexander Cockburn (1564) at Ormiston; of the Regent Murray (1569) in the collegiate church of St Giles, Edinburgh; and of the Minto family (1605) in the south aisle of the nave of Glasgow Cathedral. England is the only country which now possesses an extensive series of these interesting memorials, of which it is calculated that there may be about 4000 still remaining in the various churches. They are most abundant in the eastern counties, and this fact has been frequently adduced in support of the opinion that they were of Flemish manufacture. But in the days when sepulchral brasses were most in fashion the eastern counties of England were full of commercial activity and wealth, and nowhere do the engraved memorials of civilians and prosperous merchants more abound than in the churches of Ipswich, Norwich, Lynn, and Lincoln. Flemish brasses do occur in England, but they were never numerous, and they are readily distinguished from those of native workmanship. The Flemish examples have the figures engraved in the centre of a large plate, the background filled in with diapered or scroll-work, and the inscription placed round the edge of the plate. The English examples have the figures cut out to the outline and inserted in corresponding cavities in the slab, the darker colour of the stone serving as a background. This is not an invariable distinction, however, as “figure-brasses” of Flemish origin are found both at Bruges and in England. But the character of the engraving is constant, the Flemish work being more florid in design, the lines shallower, and the broad lines cut with a chisel-pointed tool instead of the lozenge-shaped burin. It is interesting to find that the brass of Robert Hallum, bishop of Salisbury, the envoy of Henry V. to the Council of Constance, who died and was interred there in 1416, precisely resembles the brasses of England in the peculiarities which distinguish them from Continental specimens. Scarcely any of the brasses which now exist in England can be confidently referred to the first half of the 13th century, though several undoubted examples of this period are on record. The best known of the 13th century examples is that of Sir Roger de Trumpington (circa 1290), who accompanied Prince Edward in his expedition to Palestine, and is represented cross-legged. About half a dozen instances of this peculiarity are known. The 14th century brasses are much more numerous, and present a remarkable variety in their details. The finest specimen is that of Nicholas Lord Burnell (1315) in the church of Acton Burnell, Shropshire. The full-sized brass of Sir John d’Abernon at Stoke d’Abernon in Surrey (circa 1327) has the decorations of the shield filled in with a species of enamel. Other examples of this occur, and the probability is, that, in most cases, the lines of the engraving were filled with colouring-matter, though brass would scarcely bear the heat requisite to fuse the ordinary enamels. In the 15th century the design and execution of monumental brasses had attained their highest excellence. One of the best examples of plate armour is that of Sir Robert Stantoun (1458) in Castle Donnington church, Leicestershire, and one of the finest existing brasses of ecclesiastics is that of Abbot de la Mare of St Albans. It is only in the 16th century that the engraved representations become portraits. Previous to that period the features were invariably represented conventionally, though sometimes personal peculiarities were given. A large number of brasses in England are palimpsests, the back of an ancient brass having been engraved for the more recent memorial. Thus a brass commemorative of Margaret Bulstrode (1540) at Hedgerley, on being removed from its position, was discovered to have been previously the memorial of Thomas Totyngton, abbot of St Edmunds, Bury (1312). The abbey was only surrendered to Henry VIII. in 1539, so that before the year was out the work of spoliation had begun, and the abbot’s brass had been removed and re-engraved to Margaret Bulstrode. In explanation of the frequency with which ancient brasses have thus been stolen and re-erected after being engraved on the reverse, it may be remarked that all the sheet brass used in England previous to the establishment of a manufactory at Esher by a German in 1649, had to be imported from the Continent.
See Cotman’s Engravings of the most remarkable of the Sepulchral Brasses of Norfolk, 4to, London, 1813-16; and second edition, with additional plates and notes by Meyrick, Albert Way, and Sir Harris Nicolas, 2 vols, folio, London, 1839; Manual for the Study of Monumental Brasses, Oxford, 1848; BoutelΓs Monumental Brasses of England, engravings on wood, folio, London, 1849; Waller’s Series of Monumental Brasses in England, London and Oxford, Parkers, 1863.
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BRASSEY, Thomas, an eminent English railway contractor, a man remarkable for his character and abilities as well as for the vast extent and singular success of his undertakings, was born at Baerton, near Chester, November 7, 1805. He was the son of a landed proprietor, of ancient family, and received an ordinary commercial education at a Chester school. He began his professional career at the age of sixteen as apprentice to Mr Lawton, a surveyor, and on the completion of his term became the partner of his master. Soon after his marriage his master died, and he assumed the sole management of the business. In the local surveys to which he devoted his attention during his early years he acquired the knowledge and practical experience which were the necessaryfoundation of his great reputation. His first engagement as railway contractor was entered upon in 1835, when, on the invitation of the distinguished engineer Joseph Locke, he undertook the execution of a portion of the Grand Junction Railway. Soon after Mr Locke entrusted him with the completion of the London and Southampton Railway, a task which involved contracts to the amount of £4,000,000 sterling and the employment of a body of 3000 men. At the same time he was engaged on portions of several other lines in the north of England and in Scotland. In conjunction with his partner, Mr W. Mackenzie, Brassey undertook, in 1840, the construction of the railway from Paris to Rouen, of which Mr Locke was engineer. He subsequently carried out the extension of the same line. A few years later he was engaged with his partner on five other French lines, and on his own account on the same number of lines in England, Wales, and Scotland. “At this time,” says The Builder, “the industrial army set in motion and controlled by ...Mr Brassey amounted to 75,000 men, and his weekly payments must have distributed, as the price of labour, from £15,000 to £20,000 every Saturday. The capital involved in these various contracts amounted to some £36,000,000 sterling.” But his energy and capacity were equal to still larger tasks. He undertook in 1851 other works in England and in Scotland; and in the following year he engaged in the construction of railways in Holland, Prussia, Spain, and Italy. One of his vastest undertakings was the Grand Trunk Railway of Canada, 1100 miles in length, with its astonishing bridge over the River St Lawrence. In this work he was associated with Peto and Betts. In the following years divisions of his industrial army were found in almost every country in Europe, in India, in Australia, and in South America. It must be remembered that, besides actual railway works, he originated and maintained a great number of subordinate assistant establishments, coal and iron-works, dockyards, &c., the direction of which alone would be sufficient to strain the energies of a common mind. His profits were, of course, enormous, but prosperity did not intoxicate him; and when heavy losses came, as sometimes they did, he took them bravely and quietly. Among the greatest of his pecuniary disasters were those caused by the fall of the great Barentin viaduct on the Rouen and Havre railway, and by the failure of Peto and Betts. Brassey was one of the first to aim at improving the relations between engineers and contractors, by setting himself against the corrupt practices which were common. He resolutely resisted the “scamping” of work and the bribery of inspectors, and effected what he called the “smothering of the engineer” by destroying the power of the inspectors and preventing all just grounds of dissatisfaction. Large hearted and generous to a rare degree, modest and simple in his taste and manners, he was conscious of his power as a leader in his calling, and knew how to use it wisely and for noble ends Honours came to him unsought. The cross of the Legion of Honour was conferred on him. From Victor Emmanuel he received the cross of the Order of St Maurice and St Lazarus; and from the emperor of Austria the decoration of the Iron Crown, which it is said had not before been given to a foreigner. He died at St Leonards at the age of 65, December 8, 1870. His life and labours are commemorated in a small volume published by Sir Arthur Helps in 1872.
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