FOGARAS, the capital of an Hungarian county of the same name, in Transylvania, is situated on the left bank of the river AIuta, 55 miles east of Hermannstadt, 45° 47' N. lat., 24° 54' E. long. Among the principal buildings are a Franciscan monastery, five churches, and a county court-house. The population in 1870 amounted to 4714. It was near this town that Bern was defeated by the Russian generals Engelhardt and Lüders on the 12th July, 1849. The county of Fogaras lies on the Wallachian frontier, between the county of Brassó or Cronstadt on the east, and that of Nagy Szeben or Hermannstadt on the west. The climate being cold, and the surface of the country for the most part mountainous and unfavourable to agriculture, the inhabitants arc chiefly employed in rearing cattle. The population of the old district in 1870 amounted to 82,852, of whom the greater number were Wallachians, the remainder being Saxons and Hungarians. The transformation of the district of Fogaras into a county took place in 1876.
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FOGELBERG, BenedictErland (1786-1854), a Swedish sculptor, was born at Gothenburg in 1786. His father, a copper-founder, encouraging an early-exhibited taste for design, sent him in 1801 to Stockholm, where he studied at the school of art. There he came much under the influence of the sculptor Sergell, who communicated to him his own enthusiasm for antique art and natural grace. Fogelberg worked hard at Stockholm for many years, although his instinct for severe beauty rebelled against the somewhat rococo quality of the art then prevalent in the city. In 1818 the grant of a Government pension enabled him to travel. He studied from one to two years in Paris, first under Pierre Guerin, and afterwards under the sculptor Bosio, for the technical practice of sculpture. In 1820 Fogelberg realized a dream of his life in visiting Rome, where the greater part of his remaining years were spent in the assiduous practice of his art and the careful study and analysis of the works of the past. Visiting his native country by royal command in 1854, he was received with great enthusiasm, but nothing could compensate him for the absence of those remains of antiquity and surroundings of free natural beauty to which he had been so long accustomed. Returning to Italy, he died suddenly of apoplexy at Trieste, December 22, 1854. The subjects of Fogelberg’s earlier works are mostly taken from classic mythology. Of these, Cupid and Psyche, Venus entering the Bath, A Bather (1838), Apollo Citharede, Venus and Cupid (1839), and Psyche (1854) may be mentioned. His native Scandinavian mythology forcibly engaged the attention of Fogelberg, and in his representations of that mythology he showed, perhaps for the first time, that he had powers above those of intelligent assimilation and imitation. His ...Odin (1831), Thor (1842), and Balder (1842), though influenced by his study of Greek art, still display considerable power of independent, self-reliant imagination. His portraits and historical figures, as those of Gustavus Adolphus (1849), of Charles XII. (1851), of Charles XIII. (1852), and of Birger Jarl, the founder of Stockholm (1853), are faithful and dignified works. Thirty-eight copperplate engravings of Fogelberg’s works, with a portrait and biographical notice, were published by Μ. Casimir Leconte, Paris, 1856.
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FOGGIA, a city of Italy, capital of the province of Capitanata, situated near the centre of the great plain of Apulia, 122 miles by rail E.N.E. of Naples. It is well built, and the main streets are wide and clean. The principal church, originally a stately Norman edifice, was almost destroyed by an earthquake in 1731, and the upper part has been rebuilt in a different style, which greatly injures the effect. There are numerous other churches, a fortified palace now in ruins, a large theatre, a customhouse, an orphanage, a college for daughters of the nobility, a public library, an agricultural society, an economical society, an ornithological museum, and an Artesian well. The town has now become a great railway junction, just as it was formerly the meeting place of the principal roads of the country. It is a staple market for corn and wool, and one of the largest fairs of southern Italy is held there in May. The corn magazines or fosse are very extensive, consisting of vaults lined with masonry under the principal streets and squares. Other articles of export are capers, wine, and oil. The flocks of sheep that descend annually in autumn from the mountains of Abruzzo into the plains of Apulia pay a toll as they pass through the city. The population in 1872 was 34,181....
Foggia was probably founded in the 9th century, and it is supposed that it occupied the site of the ancient Arpi or Argyripa, and derives its name from the foveae or pits that were dug among the ruins. It was a favourite residence of Frederick IL, who in 1240 held a parliament within its walls; and there he lost his third wife, Isabella, daughter of King John of England. In 1254 Manfred, the natural son of’ Frederick, defeated the forces of Pope Innocent IV. outside the city, which was not long afterwards laid in ruins by Charles of Anjou. Ferdinand I. summoned his barons and prelates to Foggia to prepare a crusade against the Turks.
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