FINI. See Masolino.
[3 words — estimated reading time: 1 minute]
FINI. See Masolino.
FINIGUERRA, Maso (contraction for Tommaso), a Florentine goldsmith, is distinguished as the inventor of the method of taking impressions from engraved plates. The date of his birth is not ascertained, and conjectures vary from 1400 to 1426. He was one of the best workers in niello, a form of decorative art then very much in vogue in Italy, which, however, in the next century fell into neglect. He is said to have been a pupil of the famous sculptor Lorenzo Ghiberti, and to have assisted him in the execution of the beautiful bronze gates of the baptistery of Florence; but whether the first or second pair of gates is not stated. Baldinucci makes him a pupil of Masaccio; but it appears probable that he was rather one of those art students who were powerfully influenced by the new style, noble in simplicity, of Masaccio’s works, than a personal disciple of the painter. One indisputably genuine work of Finiguerra is still extant, a silver Pax on which is λvrought in niello a representation of the Coronation of the Virgin. By some writers it is called an Assumption. It was executed for the church of San Giovanni Battista at Florence, and is still preserved there. It is in height a little more than 4 inches, and in breadth about 3 inches; and within this small space is a composition of more than forty figures, marvellous for accuracy of drawing and minute finish. The date of its completion is fixed by an entry in the city archives, under the year 1452. During the progress of the work the artist, according to the custom, took casts in sulphur from the plate, and also impressions upon damped paper. For these impressions he made use of a smooth roller, which passed over the paper on the plate, and produced impressions that looked like pen drawings. This method was followed by ...other workers; and thus copperplate engraving and printing soon became generally practised in Italy. The title of Finiguerra to the discovery was long disputed, especially on the ground that while prints by early German masters were in existence bearing earlier dates than any Italian engravings, not a single print by Finiguerra could be produced in support of his claim. The question was settled by Zani’s discovery in 1797, in the National Cabinet of Paris, of the identical impression taken by the artist himself from the silver Pax of San Giovanni. This print is believed to have been executed as early as 1440. Zani’s account of his discovery (see Ottley’s History of Engraving, vol. i. pp. 306-312) is a singularly fascinating narrative, breathing an enthusiasm as intense and a joy as devout as those of a Columbus who first sights a long-sought world. The date of Maso’s death is not known. Zani places it about 1460, others about 1475.
FINISTÈRE, or Finisterre, the most western department of France, forming part of the old province of Bretagne or Brittany, is bounded on the N.W. and S. by the ocean, and on the E. by the departments of Côtes-du-Nord and Morbihan. It extends from 47° 44'to 48° 47' N. lat., and from 3’ 22' to 4° 50' W. long., being 78 miles in length from north to south by 63 in width, and having an area of 666,705 hectares, or 2574 square miles. Two chains of hills run nearly parallel from east to west through this department, and divide it into three zones of almost equal extent, conveying the waters in three different directions. North of the Arrez, or more northern of the two chains, the waters of the Douron, Jarleuc, Penzé, and Flèche flow northward to the sea. South of the Noires range, the Odet, Aven, Ioste, and Elie flow southward; while the region inclosed by the two chains having a declination westward, the waters of the Aulne and the Elorn flow into the Brest roads. The rivers are all small, and none of the hills attain a height of 900 feet. The coasts are generally steep and rocky, and indented with numerous bays and inlets, affording some excellent harbours, the principal being those of Brest, La Forest, Morlaix, Landernau, Quimper, and Douarnenez. The only navigable rivers are the Aulne, Elorn, and Odet. Off the coast lie a number of islands and rocky islets, the principal of which are Ushant and Bas. The climate is temperate, but rather humid; the prevailing winds are the W., S.W., aud N.W. More than a third of the soil is under cultivation, and about an equal proportion is heath or waste land, rather the larger proportion of the remainder being pasturage, and the rest woods and forests. Though so small a portion of the land is under cultivation, the produce of ...corn is more than sufficient for the population, and might be greatly increased if the primitive agricultural implements and methods still in use were superseded by the introduction of modern improvements. The chief crops are oats, rye, wheat, and barley; flax, hemp, and pulse are also produced. The farm and dairy produce, though plentiful in quantity, is indifferent in quality; but great attention is paid to the breeding and feeding of cattle. In the department there are a large number of orchards and gardens, and vegetables are largely grown for exportation. The fisheries of the coast, particularly the pilchard fishery, employ a great many hands, and render this department an excellent nursery of seamen for the French navy. Finistère is rich in minerals: iron, coal, lead, bismuth, and zinc mines are worked; and there are quarries of granite, slate, marble, and porphyry. The lead mines of Poullaouen and Huelgoat, which yielded a considerable quantity of silver, have not been worked since 1869. The manufactures are linens, woollens, sailcloth, ropes, paper, leather, earthenware, soda, soap, candles, sugar, &c. Shipbuilding is carried on at Brest and other seaports. Finistère is divided into the arrondissements of Quimperlé, Brest, Châteaulin, Morlaix, and Quimper, the town of Quimper being the capital of the department, The population of Finistère in 1872 was 642,963, and in 1876 it was 666,106.