GIRARDIN, MadameÉmile de, a French authoress, was born at Aix-la-Chapelle, January 26, 1804, and died at Paris June 29, 1855. Her maiden name was Delphine Gay, and her mother, the well-known Madame Sophie Gay, brought her up in the midst of that brilliant literary society of which she was afterwards a conspicuous ornament. In 1822 she obtained peculiarly honourable mention from the Academy for a poem on the Devotion of the Sisters of Sainte Camille at the Siege of Barcelona ; and not long after she published two volumes of miscellaneous pieces, Essais jyoetiques (1824) and Nouveaux essais poétiques (1825). A visit to Italy in 1827, during which she was enthusiastically welcomed by the literati of Rome and even crowned in the capitol, was productive of various poems, of which the most ambitious was Napoline (1833). Her marriage in 1831 to M. Émile Girardin opened up a new literary career. The contemporary sketches which she contributed from 1836 to 1839 to the feuilleton of La Presse, under the nom de plume of Charles Delaunay, were collected under the title of Lettres Parisiennes (1843), and obtained a success which has proved as permanent as it was brilliant. But it was to more elaborate efforts that the authoress would have preferred to entrust her reputation, and she indeed confesses, in a half serious half mocking mood, that it was almost a disappointment to find herself famous for so slight a thing. To the close of her life she continued to appear both as a novelist and as a writer for the stage, and in both departments she reaped a wide popularity through the wit and emotional force of her productions. Contes Tune vieille fille a ses neveux (1832), La canne de Monsieur de Balzac (1836), and II ne faut pas jouer avec la douleur (1853) are among the best known of ...her romances; and her dramatic pieces include H École des journalistes (1840), Judith (1843), Cleopatre (1847), C ’ est la faute du mam (1851), Lady Tartufe (1853), Lajoie fait peur (1854), Le chapeau Tun horloger (1854), and Une femme qui déteste son mari, which did not appear till after the author’s death. In the literary society of her time Madame Girardin exercised no small personal influence, and among the frequenters of her drawing-room were Gautier and Balzac, Alfred de Musset and Victor Hugo. During the latter years of her life a pensive melancholy gathered round her: for long years she had prayed the prayer of Hannah, and her woman’s heart had not been comforted. Her collected works were published in six volumes, 1860-1861.
See Sainte-Beuve, Causeries du hindi, t. iii.; G. de Molènes, “Les femmes poètes,” in Revue des Deux Mondes, July 1842; Taxile Delord, Les Matinées littéraires, 1860; L'esprit de Madame Girardin, avec une préface par Μ. Lamartine, 1862; G. d’Heilly, Madame de Girardin, sa vie et scs oeuvres, 1868.
GIRARDIN, Saint-Marc (1801-1873), a politician and man of letters whose real name was Marc Girardin simply, was born at Paris in 1801, and died at Morsang-sur-Seine on the 11th of April 1873. His school career at the Lycée Henri IV. was a distinguished one, and he afterwards took university honours both in literature and law, but he never practised at the bar. During the reign of Charles X. he obtained several Academy prizes, and a mastership at the Lycée Louis le Grand, though his liberal principles stood a little in his way. In 1828 he began to contribute to the Journal des Débats, on the staff of which he remained for nearly half a century. At the accession of Louis Philippe he was appointed professor of history at the Sorbonne and master of requests. Soon afterwards he exchanged his chair of history for one of literature, continuing to contribute political articles to the Débats, and sitting as deputy in the chamber from 1835 to 1848. As a professor he directed his efforts chiefly against the clerical reaction. In 1844 he was elected a member of the Academy. During the revolution of February 1848 Girardin was for a moment a minister, but after the establishment of the republic he was not re-elected deputy, nor did he take any prominent part in politics during the second empire save with his pen. In the capacity of journalist he continued to be active, and interested himself not merely in moderate opposition to the Government at home but also in foreign politics, especially in the affairs of Syria, Greece, and Turkey. After the war of 1870 he was returned to the Bordeaux assembly by his old department—the Haute Vienne. His Orleanist tendencies and his objections to the republic were strong, and though he at first supported Thiers, he afterwards became a leader öf the opposition to the president He died, however, before Thiers wa's actually driven from power. Saint-Marc Girardin was one of the most distinguished of the many writers whose political and literary activities combined have raised them to distinction in France during this century, but to whom there cannot be assigned the highest rank either as politicians or as littérateurs. His political claims were not above those of a vigorous and intelligent journalist. His professorial lectures were popular and well attended; his literary knowledge was wide, and included German and Italian; his criticisms, on which his claims as a man of letters rest, were acute and well expressed, but not remarkable for great subtlety or novelty of thought or style.
His chief work is his Cours de littérature dramatique (1843- 1863), a series of lectures the delivery and publication of which lasted for over twenty years. This λvork has for second title De Γ Usage des Passions dans le Drame, which describes it more accurately. The author goes through the list of the various passions, and. of the chief situations which call them out, discussing at the same time the mode in which they are treated in the most celebrated dι - amas of ancient and modern times. The source of these illustrations is not indeed limited to drama, and the lecturer takes a wide range over the fields of poetry and romance. The result was doubtless as a course of lectures interesting and stimulating; as a book it is somewhat desultory. Among his other works may be noticed Essais de Littérature (1844, 2 vols.), made up chiefly of contributions to the Débats, his Notices sur T Allemagne (1834), and many volumes of collected Soxιυenirs, Reflexions, &c., on foreign countries and passing events. His latest works of literary importance were La Fontaine et les Fabulistes (1867) and an Étude sur J. J. Rousseaι<, (1870) which had appeared in the Revue des Deux Mondes.
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