FOULD, Achille (1800-1867), French financier and politician, was born at Paris, November 17, 1800. The son of a rich Jewish banker, he was associated with and afterwards succeeded his father in the management of the business. As early as 1842 he entered political life, having been elected in that year as a deputy for the department of the Hautes Pyrénées. From that time to his death he actively busied himself with the affairs of his country. He readily acquiesced in the revolution of February 1848, and is said to have exercised a decided influence in financial matters on the provisional Government then formed. He shortly afterwards published two pamphlets against the use of paper money, entitled, Pas d ’ Assignats ∕ and Opinion de Μ. A. Fould sur les Assignats. During the presidency of Louis Napoleon he was four times minister of finance, and took a leading part in the economical reforms then made in France. His strong conservative tendencies led him to oppose the doctrine of free trade, and disposed him to hail the “Coup d’État” and the new empire. On the 25th of January 1852, in consequence of the decree confiscating the property of the Orleans family, he resigned the office of minister of finance, but was on the same day appointed senator, and soon after rejoined the Government as minister of state and of the imperial household. In this capacity he directed the Paris exhibition of 1855. The events of November 1860 led once more to his resignation, but he was recalled to the ministry of finance in November of the following year, and retained office until the publication of the imperial letter of the 19th of January 1867, when Μ. Émile Olivier became the chief adviser of the emperor. During his last tenure of office he had reduced the floating debt, ...which the Mexican war had considerably increased, by the negotiation of a loan of 300 millions of francs (1863). Fould, besides uncommon financial abilities, had a taste for the fine arts, which he developed and refined during his youth by visiting Italy and the eastern coasts of the Mediterranean. In 1857 he was made an honorary member of the Academy of the Fine Arts. He died at Tarbes on the 5th October 1867.
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FOULIS, Andrew and Robert, two learned Scotch printers and publishers, whose enterprise and devotion to the interests of the higher education deserve to be gratefully remembered. Robert, the eIder of the two, was born in 1707, and his brother in 1712. Their father was a maltman in Glasgow, and they consequently had very ordinary opportunities for intellectual culture in their early years. Robert was apprenticed to a barber; but his ability attracted the attention of Dr Francis Hutchison, who strongly recommended him to establish a printing press. After spending 1738 and 1739 in England and France in company with his brother Andrew, who had been intended for the church and had received a better education, he started business about 1740-1, and in 1743 was appointed printer to the university. In this same year he brought out Demetrius Phalereus, the first Greek book ever printed in Glasgow; and this was soon followed by the famous 12mo edition of Horace which was long but erroneously believed to be immaculate: though the successive sheets were suspended in the university and a reward offered for the discovery of any inaccuracy, six errors at least, according to Dibdin, escaped detection. Soon afterwards the brothers entered into partnership, and they continued for about 30 years to issue carefully corrected and elegantly printed editions of classical works in Latin, Greek, English, French, and Italian. Upwards of 500 separate publications proceeded from their press—among the more noticeable being the small editions of Cicero, Tacitus, Cornelius Nepos, Virgil, Tibullus and Propertius, Lucretius, and Juvenal; a beautiful edition of the Greek Testament, in small 4to; Homer, 4 vols, fol., 1756-1758; Herodotus, Greek and Latin, 9 yols. 12mo, 1761; Xenophon, Greek and Latin, ...12 vols, in 12mo, 1762-1767; Gray’s Poems; Pope’s Works; Milton’s Poems. The brothers spared no pains, and Robert went to France to procure manuscripts of the classics, and to engage a skilled engraver and a copper-plate printer. Unfortunately it became their ambition to establish an institution for the encouragement of the fine arts; and though one of their chief patrons, the earl of Northumberland, warned them to “print for posterity and prosper,” they spent their money in collecting pictures, pieces of sculpture, and models, in paying for the education and travelling of youthful artists, and in copying the masterpieces of foreign art. Their countrymen were not ripe for such an attempt, and the “Academy” not only proved a failure but involved the projectors in ruin. Andrew died in 1775, and his brother went to London, hoping to realize a large sum by the sale of his pictures. They were sold for much less than he anticipated, and he returned broken-hearted to Scotland, where he died at Edinburgh in June 1776. The debts of the firm amounted to £6500. Robert was the author of a Catalogue of Paintings with Critical Remarks, 3 vols.
See W. J. Duncan, Notices and, Documents illustrative of the Literary History of Glasgow, printed for the Maitland Club, 1831, which inter alia contains a catalogue of the works printed at the Foulis press, and another of the pictures, statues, and busts in plaster of Paris produced at the “Academy” in the university of Glasgow.
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