EARL (Latin, comes; French, compte), a title and rank of nobility now the third in the order of the British peerage, and, accordingly, intervening between marquis and viscount. Earl, however, was the highest title and rank of the English nobles post conquestum until the year 1337, when by Edward III. the Black Prince was created duke of CornwalL The “earl” of England was identical with comte or compte of France; and, so long as Norman-French continued to be spoken in this country, the English “earls” were styled “counts” as well in England as on the Continent. These powerful barons represented and succeeded the Saxon thanes who were ealdormen, their own title evidently having been derived from the jarl of Scandinavia....
The nature of a modern earldom is readily understood, since it is a rank and dignity of nobility which, while it confers no official power or authority, is inalienable, indivisible, and descends in regular succession to all the male heirs of the body of the grantee until, on their failure, it merges in the Crown. Not so was it with either the nature or the descent of the ancient earldoms of England. In early feudal times titles independent of office did not exist. The earls, or comites, of those days, therefore, were actual officers, each having supreme authority in his own earldom, or “county,” under the Crown; each one of them also deriving from his earldom a certain fixed revenue, the possession of which was at once an apanage of his official dignity as earl, and the evidence of his lawful and recognized title to it. But an earldom has long ceased to be endowed with any official associations whatever, and has become merely a title by which its owners in male succession inherit and hold the dignity, third in rank, of a peerage. In like manner, the descent and tenure of the ancient earldoms differed in many highly important particulars from the simple succession of the modern dignity. In the course of their chequered history, we find ancient earldoms, instead of passing by a quiet and clearly defined succession from father to son, constantly depending on the rights of female inheritance; they are seen to have been obtained by many a husband jure uxoris; they appear to have been transferred in an arbitrary manner, or actually to have been divided between coparceners, or to have been retained for a while by the Crown and let out to farm. At the same time, under such strange conditions as these, and amidst conflicting vicissitudes, until they finally merged in the Crown, the ancient earldoms retained their vitality. They might descend very irregularly, and become vested in successive families, but still they did not become extinct; nor were the claims of legal inheritance wholly forgotten or superseded; and, even if for a time they had been latent or had actually been superseded, they emerged under more favourable circumstances, and under fresh arrangements or modifications they were again recognized by the Crown.
An earl is “Right Honourable,” and is styled “My Lord.” His eldest son bears his father’s “second title,” and therefore, that second title being in most cases a viscounty, he generally is styled “Viscount;” under all circumstances, however, the eldest son of an earl takes precedence immediately after the viscounts. The younger sons of earls are “Honourable,” but all their daughters are “Ladies.” In formal documents and instruments, the sovereign, when addressing or making mention of any peer of the degree of an earl, usually designates him “trusty and well-beloved cousin,”—a form of appellation first adopted by Henry IV., who either by descent or alliance was actually related to every earl and duke in the realm. The wife of an earl is a countess; she is “Right Honourable,” and is styled “My Lady.”
The coronet of an earl has, rising from a golden circlet, eight lofty rays of gold, each of which upon its point supports a large pearl; also, between each pair of rays, at their bases, there is a golden conventional leaf, the stalks of all these leaves being connected with the rays and with each other so as to form a continuous wreath. In representations, five of the elevated rays with their pearls and four of the leaves are shown. The cap and lining of the coronet, if worn or represented, are the same as those of the ducal coronet. An earl’s coronet without cap oι lining is represented in the annexed figure.
In the monumental effigies of noble personages, which yet remain from the Middle Ages, there are many highly interesting representations of the varieties of coronets worn by the earls of those days and by their countesses, before this coronet had assumed its present fixed and definite character. Thus, early in the 15th century, effigies of an earl and countess of Arundel, at Arundel, have very rich coronets. The earl’s has a series of leaves and of clusters of three small balls or pearls alternating, all of them being raised to a considerable height above the circlet, the clusters rising rather higher than the leaves. The coronet of the countess differs in having the raised clusters set alternately with single balls or pearls that are less elevated.
The coronet of a countess now in all respects is the same as that of an earl. The scarlet parliamentary robe of an earl has three doublings of ermine. The duke of Norfolk, who is premier duke, as earl of Arundel, Surrey, and Norfolk, is premier earl of England; also he holds his earldom of Arundel, a feudal dignity (as it was adjudged by Parliament, the 11th of Henry VI. 1433), by the fact of his hereditary possession of Arundel Castle only. As hereditary Earl-Marshal, his Grace of Norfolk is the head of the College of Arms. (c. b.)
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EARLE, John (16011-1665), bishop of Worcester and afterwards of Salisbury, was born at York about 1601. He completed his education at Oxford, first entering Christ Church, and taking his degree of B.A. in 1619. He afterwards passed to Merton College, and graduated M.A. in 1624. He was appointed in 1631 proctor of the university, and the same year became chaplain to Philip, earl of Pembroke, then chancellor of the university. He was soon after presented by this nobleman to the rectory of Bishopstone, in Wiltshire, and, having been introduced to the king, Charles I., was appointed chaplain and tutor to Prince Charles. In 1642 Earle took his degree of D.D., and in the following year was elected one of the famous Assembly of Divines at Westminster. But his sympathies with the king and with the Church of England were so strong that he declined to sit. Early in 1643 he was chosen chancellor of the cathedral of Salisbury; but of this preferment he was soon after deprived. After Cromwell’s great victory at Worcester, Earle went abroad, and was named clerk of the closet and chaplain to Charles II. He spent a year at Antwerp in the house of Izaak Walton’s friend Dr Morley, who became afterwards bishop of Winchester. He next joined the duke of York (James II.) at Paris, returning to England at the Restoration. He was at once appointed dean of Westminster, and in 1661 was one of the commissioners for revising the liturgy. At the end of November 1662 he was consecrated bishop of Worcester, and was translated, ten months later, to the see of Salisbury. During the plague of London Bishop Earle attended the king and queen at Oxford, and there he died, November 17, 1665. Earle’s chief title to remembrance is his witty and humorous work entitled Microcosmography, or a Piece of the ...World discovered, in Essays and Characters, which throws light on the manners of the time. First printed in 1628, it became very popular, and ran through eight editions in the lifetime of the author. A new edition with notes and appendix, containing much interesting matter, by Philip Bliss, was published in 1811. The style is quaint and epigrammatic; and the reader is frequently reminded of Thomas Fuller by such passages as this: “A university dunneris a gentlemen follower cheaply purchased, for his own money has hyr’d him.” Several reprints of the book have been issued since the author’s death; and in 1671 a French translation by J. Dymock appeared with the title of Le vice ridicule. Earle was employed by Charles II. to make the Latin translation of the Eikon Bαsiliko, published in 1649.
“Dr Earle,” says Lord Clarendon in his Life,“ was a man of great piety and devotion, a most eloquent and powerful preacher, and of a conversation so pleasant and delightful, so very innocent, and so very facetious, that no man’s company was more desired and loved. No man was more negligent in his dress and habit and mien, no man more wary and cultivated in his behaviour and discourse. He was very dear to the Lord Falkland, with whom he spent as much time as he could make his own.”
See especially Bliss’s edition of the Hicrocosmographie, and Arber’s Keprint, London, 1868.
EΛRLOM, Richard (1742-1822), English mezzotint engraver, was born in London in 1742. His natural faculty for art appears to have been first called into exercise by admiration for the lord mayor’s state coach, just decorated by Cipriani. He tried to copy the paintings, and was sent to study under Cipriani. He displayed great skill as a draughtsman, and at the same time acquired without assistance the art of engraving in mezzotint. In 1765 he was employed by Aiderman Boydell, then one of the most liberal promoters of the fine arts, to make a series of drawings from the pictures at Houghton Hall; and these he afterwards engraved in mezzotint. His most perfect works as engraver are perhaps the fruit and flower pieces after the Dutch artists Van Os and Van Huysum. Amongst his historical and figure subjects are—Agrippina, after West · Love in Bondage, after Guido Reni; the Royal Academy, the Embassy of Hyderbeck to meet Lord Cornwallis, and a Tiger Hunt, the last three after Zoffany; and Lord Heathfield, after Sir Joshua Reynolds. Earlom also executed a series of 200 facsimiles of the drawings and sketches of Claude Lorraine, which was published in 3 vols, folio, under the title of Liber Veritatis (1777-1819). Earlom died in London, October 9, 1822.
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